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A Static Symphony

                                                                                               Charlie Cliff illustration. (C) 



Somewhere between the black woods and eternity 

a radio telescopes inward, 

receiving transmissions from planets that orbit too close to dying stars

Wire-frame glasses reflect fluorescent autopsy light 

while he dissects the anatomy of manufactured dreams

and finds the tumour growing in capitalism's left ventricle

His stretched skin becomes holy parchment

An ancient text written in braille for blind gods 

who never learned to read suffering in its native tongue

The motorway breathes exhaust-led prayers 

while February counts its dead in bridge tolls and unanswered phones, 

each ring another question mark punctuating Wales's grey sentence

University corridors echo with the footsteps of ghosts 

who had memorized Nietzsche by seventeen, 

carried Camus in their back pockets like suicide notes 

waiting to be delivered to the right address

Television screens flicker with the static of manufactured consent, 

while he rewrites the programming with a Stanley knife, 

each edit a small revolution against the tyranny of prime time

Anorexia becomes protest art 

the body politic starving itself into exclamation points,

each visible rib a manifesto against the consumption of empty calories, 

hollow promises at the feast of fools

Hotel rooms become laboratories for experiments in disappearing, 

measuring the exact weight of a soul leaving its container, 

calculating the trajectory of thoughts fired from synapses 

like bullets from revolvers aimed at tomorrow's headlines

Library cards become passports to countries that don't exist on maps, 

where the Situationists build barricades from broken promises 

and the debris of failed utopias scattered across reading room tables

The prescription bottles rattle like maracas in a funeral march, 

each pill a small white lie told to neurons 

that refuse to dance to the rhythm of acceptable madness

Generation lost souls spawned in record shops 

that smell like vinyl graves and teenage sweat, 

where punk rock priests absolve the sins of suburbia 

through three-chord sermons and feedback baptisms

The river becomes the confessional booth

muddy water swallowing secrets faster than Catholic guilt, 

while somewhere upstream salmon swim backwards 

through time zones and regret, 

searching for the source of all this beautiful poison

 

What remains? 

 

Ghost frequencies bleeding through static-filled amplifiers, 

the phantom limb of a voice that taught microphones how to scream in perfect pitch

Razor blade archaeology unearths civilisations 

buried beneath epidermis and expectation, 

each scar a hieroglyph spelling out the secret names of gods 

who abandoned their creation mid-sentence

The NHS prescribes bandages for wounds 

that require complete reconstruction of the universe's operating system, 

while social workers file reports on boys 

who refuse to be case studies in other people's textbooks

And somewhere a jukebox skips on the same broken note, 

playing requiems for boys who turned themselves into archaeological sites, 

and into buried treasures we're still excavating. 

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