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You're On Your Own, Kid (Gaza's Version)


Image: TMZ


Cathedral light stages choreographed romance,

Taylor Swift's perfect proposal performance

whilst BBC headlines wedding speculation

Gaza burns in its margins.

 

Breakfast telly dissects her ring finger

as children's hands grasp Rafah stones.

Red tops hunger for venue predictions,

camps transform to burial grounds.

 

Her silence drowns like church bells,

muffling cries from hospitals without medicine.

 

Media machinery devours fairy tale fiction,

front pages bloom with engagement dreams

whilst genocide hides on page seventeen

tucked between crosswords and weather forecasts.

 

She champions her own glass ceiling

whilst ignoring concrete crushing women worldwide.

Speaks of empowerment in penthouse interviews

whilst empowered women get buried alive.

 

She is architect of mass distraction,

not princess but engineer of diversion.

 

Her white feminism fortress stands tall,

flirting with supremacist shadows

whilst Palestinian women give birth in rubble,

whilst Sudanese mothers flee with empty arms,

whilst Afghan girls forget classroom dreams.

 

A platform of 280 million followers

larger than most nations' populations

yet she wields it only for brand building,

only emerging for Kamala Harris,

another cog in capitalism's machine,

another servant of the same empire

that funds the very bombs falling on Gaza.

 

Her endorsement rings hollow

supporting a woman who backs genocide,

who serves the military-industrial complex,

who offers no true feminist liberation,

just another face on the same brutal system.

 

Devotees flood comments with wedding prayers,

building Pinterest dreams whilst children whisper last words.

Fans trending #EngagementGoals

whilst Palestinian mothers disappear

crushed beneath viral rubble.

 

Remember Hala and Ahmed's wedding planned for spring?

Their invitations turned to ash with their hands.

Remember Layla who saved for her white dress,

now wrapped in white shroud instead.

Remember Omar's proposal ring,

pulled from debris with his severed finger.

 

Love stories that never bloomed:

Fatima's engagement party became her funeral,

Khalil's honeymoon plans became evacuation routes,

Nour's wedding venue became mass grave,

Samir's bride became widow before becoming wife.

 

Taylor's romance headlines flood the feeds

whilst Gaza's romance headlines bleed:

"Couple Found Embracing in Rubble"

"Newlyweds Die on Wedding Night"

"Bride's Body Recovered Wearing Wedding Dress"

 

Millions debate dress designers,

not one fights for human dignity.

 

Reception venues spark religious debates

whilst sacred sites become ash.

Guest lists discussed like peace treaties

whilst peace dies in powerless delivery rooms.

 

Her feminism excludes the feminine voices

screaming under occupation,

her girl power ignores girls

whose power got cut from electricity.

 

She builds empires on empowerment rhetoric

whilst imperial bombs silence

the very women she claims to champion.

 

The power to shift discourse sits unused

280 million ears that could hear Gaza's cries,

280 million hearts that could break for Palestine,

280 million minds that could question empire.

Instead: silence, complicity, calculated cowardice.

 

When she finally spoke politically,

it was for Harris, the prosecutor turned politician,

architect of mass incarceration,

defender of the status quo,

feminist only in branding,

progressive only as performance.

 

White feminism's comfortable borders

never crossed into uncomfortable territories

where women's rights mean right to survive,

where glass ceilings mean actual ceilings

that don't collapse on sleeping families.

 

Manufactured fan hysteria

drowns manufactured genocide consent.

 

Rings amplified over ethnic cleansing,

clickbait proposals eclipse mass murder proposals.

Feeds saturated with romantic speculation

whilst lifelines—aid, hope, breath

get systematically severed.

 

Her engagement breaks news

whilst broken bones, broken souls

bury in broken silence.

 

Wedding announcements flood channels

whilst Gaza's engaged couples

never reached their altar.

 

The love stories that never were:

Teenagers who planned futures together,

now planning nothing.

Couples who saved for homes,

now homeless eternally.

Promises whispered in darkness,

now darkness eternal.

 

Children who would have been born

from this love,

never drawing breath.

Anniversaries never celebrated,

growing old together never achieved.

 

Endless circus rotation

romance, drama, relevance manufactured

whilst genuine relevance gets buried

between main act intervals.

 

When market research shows

genocide indifference polling badly with Gen Z,

when platforms punish political silence

harder than political noise,

when neutrality shifts

from brand protection to brand poison,

she'll rediscover platforms,

excavate ethics,

perform awakening.

 

But awakening arrives too late

for those never again waking.

 

Mark this complicity.

Mark who chose wedding bells over sirens.

Mark whose silence got sanctified

whilst sanctifying nothing sacred.

Mark feminism that excludes the feminine,

empowerment that ignores the powerless.

 

The dead remember the living's priorities.

History judges our headline choices.

Truth will outlast the hashtags.

 

Engagement means nothing

when we engage only

our entertainers,

our comfortable causes,

our profitable politics.

 

Taylor Swift writes no love story

that includes love for all women.

Media tells no truth

about whose stories matter.

Fans build no community

that extends beyond privilege.

 

All shareholders

in calculated compassion corporations,

investors in selective solidarity business.

 

Wedding industrial complex churns on

manufacturing romance consent

whilst genocide excuse manufacturing

passes unremarked, unreported, unresisted.

 

The altar of white feminism

sacrifices women of colour

for comfortable consumption.

 

280 million followers,

zero moral leadership.

The biggest platform,

Has the smallest conscience.

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