I want to be digestible—
there, I said it.
I want to be the soft mouth, the wet yes, the honeyed come in,
the please, the thank you, the sorry, the good girl, the sit pretty,
the don't make a scene, the don't be difficult, the don't be so much,
the don't be so loud, the don't be so hungry, the don't be—
I want to be the thing you can swallow
without choking.
Because I am hungry.
Because I want to be held.
Because I want to be inside you
not as a stone,
but as a song.
Because my mother taught me
love is a thing you earn
by being easy,
by being good,
by being small enough
to fit
in the palm
of a hand
that closes.
BUT—
I want to stab
the guts
that digest me.
I want to be the blade in the belly,
the glass in the honey,
the bone in the throat,
the scream that comes back up
at 3 a.m.
I want to be the meal that fights back,
the communion wafer that bites,
the body of Christ that says
THIS IS MY BLOOD
AND YOU WILL
CHOKE ON IT.
I want to be loved
and I want to be devoured
and I want to devour
the thing that devours me.
I wrote it on my thighs
where the fat is stored
for winter
for famine
for the revolution
called it archive
they called it hysterical
I said:
every woman's body
is a crime scene
that keeps
its own
evidence.
The pelvis is a weapon.
The mouth is a war.
The body is a riot.
And the only way to survive
the digestion
is to become
the indigestible thing.
I screamed it
in a basement,
in my own throat,
and the walls
are still shaking.
The pretty thing
is a grenade.
The pretty doll
is a blade.
The love song
is a letter bomb.
And the only way
to be loved
by the monster
is to become
the monster
that eats
the monster.
I want to be the girl
with the most cake.
I want to be the girl
who takes
the whole fucking bakery
and burns it down
and dances
in the ashes.
Marx said change it
he didn't say but stay soft,
but stay sweet,
but stay
swallowable.
He didn't say
but make sure
they can digest you
without guilt,
without gas,
without the inconvenient
aftertaste
of your
rage.
I am tired of being the chorus.
I am tired of being the chorus.
I AM TIRED OF BEING THE CHORUS.
And still
still—
I want you to like me.
I want to be the good Marxist,
the good feminist,
the good woman
who doesn't ruin the evening
with her hunger.
But the hunger is the point.
The hunger is the wound
that won't close
because it is not
meant to.
The claw at the hollow of my throat
I say NOW.
The voice says GOOD GIRL.
The voice says BITE.
So I write it anyway.
The unbecoming thing.
The indigestible thing.
The howl that doesn't fit
in the seminar room,
or the bedroom,
or the ballot box.
I offer it to you
like a stone,
like a wound,
like a woman
who is still always
learning
how not
to apologise
for the weight
of her own
bones.
And when the room goes quiet—
when the voice that calls me hysterical
falls asleep at the wheel of its own certainty—
I put my hand
on my own
thigh.
I hold the archive.
I press the evidence
back into the body
that kept it.
I say:
I know.
I know.
I believe you.
Nobody taught me that part.
I taught myself.
The paint never fixed it.
The damp comes through anyway.
And I am still here—
still wanting,
still becoming,
still not sorry.
DEVOUR ME.
I DARE YOU.
Chew on that.
Swallow.
See what happens.
See what
comes
UP.

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